Jung-hoon and Si-hoo, both fresh from breakups, make a pact to have nine casual flings. As their encounters continue, their connection intensifies, blurring the lines between friendship and love.

Chefs A'Field was one of the first in the cooking genre to focus on environmental issues pertaining to food, travel, and lifestyle. The tradition continues in this fourth season with a strong focus on sustainable agriculture and seafood, shopping with an environmental mindset, ideas to get the whole family closer to where their food comes from, and ways to prepare a delicious meal with healthy ingredients.

Having been a college student for the past seven years, there are not many people who take Kim Su-hwan seriously. That, combined with personal issues of his sexual prowess, drives his girlfriend into the arms of a man who is more confident and unafraid of life.

Chefs A'Field was one of the first in the cooking genre to focus on environmental issues pertaining to food, travel, and lifestyle. The tradition continues in this fourth season with a strong focus on sustainable agriculture and seafood, shopping with an environmental mindset, ideas to get the whole family closer to where their food comes from, and ways to prepare a delicious meal with healthy ingredients.

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Enter the colorful world of Emmy-winning, Oscar-nominated Patricia Field, the costume designer behind Sex and the City, Emily in Paris, Ugly Betty, and The Devil Wears Prada. A queer, first-generation Greek-American, this fiery redhead defied the odds to become a fashion icon. Features interviews with Kim Cattrall, Lily Collins, Sarah Jessica Parker, Michael Urie, and more.

American Documentary, narrated by Christopher Lee

The story of three women who are involved in adulterous affairs - and Rose, who believes that anyone who sleeps with another's husband is committing a crime against womanhood. Ah, but how long will Rose be able to resist the charms of married photographer Paul...? Will Ray leave Sandy? Will Martin leave Margaret? Is ANY relationship better than NO relationship? And will Rose's erotic pictorial portfolio from Paris be the ultimate downfall of Paul? Stay tuned....

College girls are learning life.

Lovecraftian film producer Chris Lackey discusses a number of Lovecraft adaptations for film and television.